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AVANT DE DORMIR

Last night I thought instead of sleeping, they say that nighttime is mysterious, dark and silent. Who said this doesn't live in Milan.

It was late, maybe two or three a.m., and on the street people were still eating ice creams, riding their scooters and laughing loudly as one does only in the evening. What a racket.
But it didn't disturb me at all. I had a vision in my head, and I was smiling.

Let's start from the beginning: after having designed all the things for winter - the bags, no? - and having figured out all the samples, we finally set off to the seaside to wait until in the city everything was cut, sewn and ready to be checked, perhaps modified, and sometimes get desperate.

We went to the seaside in Sicily, the Aeolian Islands, Vulcano. On Köbi's birthday each year we grab some clothes and our snorkeling gear and off we go!! To Vulcano to be happy. The apartment is on the western side of the island between the sea and the vulcano. Nobody is there, the tourists arrive in hordes but much later on.

I won't say anything, here, about the sea and the black sand, left there for us by the volcanoes.
Nor about nature, about the flowers, about the colors, the yellows the pinks the reds, the green and the blue. Nor about the fragrances. No word either about the food, the wine, the new the old the sweet one. Nothing about the thick cream we found under every thing ice cold we ate.
You might think it was because of all that, I couldn't sleep last night.
As always we returned fat and tanned like babies.

Today we saw the samples, for this reason I was smiling. It happens that, at the beginning of the collection, nothing "real" is ready on our big worktable. It's a high table; you can stand up in front of it. On top there are hundreds of different messy inventions, material samples, lace, pins, scissors, spread all over the table: flat as paper, laid there, abandoned. You grab it, move it and where the hell has it gone! Cuttings that won't sit in the right place, two hands aren't enough! It doesn't work. Then, when everything has been sent away to be sewn, all of a sudden there it is.
It really is quite something. It is a thing. There, on the table. It has character, it is. And it's so nice, so sudden and unexpected, yet present and real, that you can touch it and look at it and think that, today, in my world and in my space, there it is, it's mine and Köbi's, and for whoever wants it, and at first it didn't exist.
It is this that makes me smile; because it's so simple, not at all pretentious, happy and silly and red.

I will put it here, a quick photo, as quick as this little chat, so that you may have a look at it as well, then tell me if I am exaggerating or if you understand me and if it is the same for you too. Tell me if you agree that it was better to do it rather than not doing it.
This is the first piece and then it goes on. On the next show it will be there, the dog, the flowers and all their colors.

Marina Wiesendanger




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